Assessing hip-hop discourse : Linguistic realness and styling





Faculty/Professorship: English and Historical Linguistics  
Author(s): Werner, Valentin  
Publisher Information: Bamberg : Otto-Friedrich-Universität
Year of publication: 2020
Pages: 671-698
Source/Other editions: Text & talk : an interdisciplinary journal of language, discourse & communication studies, 39 (2019) 5, S. 671-698.
is version of: 10.1515/text-2019-2044
Year of first publication: 2019
Language(s): English
DOI: 10.20378/irb-46512
Licence: German Act on Copyright 
URN: urn:nbn:de:bvb:473-irb-465123
Abstract: 
This study provides a corpus-linguistic take on hip-hop discourse (as represented in rap), relating to one of the most influential cultural mass movements to date. To this end, a custom-built corpus of lyrics by US-American rap artists (LYRAP) was compiled, containing performed hip-hop discourse over a 25-year period. This material is used to test the alignment of hip-hop discourse with African American English in terms of morphosyntax, and to determine the amount of styling present in the lyrics. In addition, a comparative perspective with pop lyrics (as represented in the LYPOP corpus) is established, and highly characteristic lexical and discourse features of hip-hop discourse are identified. The analyses suggest that “linguistic realness” (in terms of conveying a street-conscious identity) is created on multiple structural levels, but that different artists style their lyrics to various extents to achieve this realness, and that a complete congruence of African American English with hip-hop discourse cannot be traced.
GND Keywords: Hip-Hop; Sprache; Black English; Korpus <Linguistik>
Keywords: hip-hop, rap, lyrics, pop culture, style, African American English, AAE
DDC Classification: 420 English  
RVK Classification: HF 991   
Peer Reviewed: Ja
International Distribution: Ja
Type: Article
URI: https://fis.uni-bamberg.de/handle/uniba/46512
Release Date: 1. December 2020

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