Anders, PetraPetraAnders0000-0002-3561-60972023-12-012023-12-012023https://fis.uni-bamberg.de/handle/uniba/92240The eponymous protagonist of Michael Akers’ drama Morgan (2012) feels attracted to an able-bodied man after becoming paraplegic following a cycling accident. As Morgan doubts that he will be able to ever have sex again, he asks his physiotherapist quite bluntly: “What can I, you know, do in that department?” (Morgan, 2012, 00:27:31-00:27:35). The same question should be asked by filmmakers in order to question their representations of gender, bodies, and the sexualities of disabled characters in films.engChallenging Devaluation of Disability and Queerness through Cinematic Narrativesarticlehttps://ojs.scholarsportal.info/ontariotechu/index.php/id/article/view/247/170